Much like the song’s protagonist, Natasha establishes the Dominican-grown bachata sound as her number one, but flirts with touches of Eighties synthwave, and welcomes sweet nothings from a saxophone. ” “ Quién Sabe, ” sung from the viewpoint of a woman with a boyfriend - and a roving eye - is a lavish feast of genres. She touches upon her reggae roots with Dawn Penn-like swagger in “ No Voy A Llorar. While she still throws down in the Latin urban circuit, IlumiNATTI shows that Natasha is a woman untethered to its conventions. “What you do is you keep working at it and then thank God when people actually connect with you.” “Music is so unpredictable, but it’s universal,” she says. Natasha spends the album teasing out some of Caribbean music’s most essential staples - dembow, dancehall, reggaeton - and alchemizing them into pop. This year, she’s taking the lead with her new album, IlumiNATTI, r eleased last month on reggaeton legacy label Pina Records. By the end of 2018, Natasha had carved a niche as música urbana ‘s favorite co-star.
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